from http://www.washingtonpost.com/opini...rugs/2012/07/13/gJQAlcsJiW_story.html?hpid=z2 "If you’re wondering why hip-hop has often been angry, sneering, nihilistic and dystopic, you can blame the war on drugs, and how it feels to be on the wrong side of it. "President Nixon announced a war on drugs, but it was President Reagan who started the modern battle in 1982, when hip-hop was in its infancy. This fight would not only shape the black community but also mold hip-hop, a music and culture whose undercurrent remains black male anger at a nation that declared young black men monsters and abandoned them, killing any chance they had at the American Dream. As Nas rhymed on the recent song “Triple Beam Dreams”: “I would be Ivy League if America played fair.” Instead, he’s trapped in a virtual prison. “New York is like an island, a big Riker’s Island,” he says in another recent song, “The Don.” "In the early 1980s, most of the socially conscious hiphop records mentioned drugs as one of the many problems affecting black Americans, not the central one. When they did touch on drugs, they were almost always depicted negatively; doing drugs was a character failing, and the songs usually portrayed the speaker as a bystander trapped in a ghetto, observing it, not participating in its ills. They were like griots, storytellers. Take Grandmaster Flash and the Furious Five’s “The Message,” which begins: “Broken glass everywhere!” — a mirroring James Q. Wilson and George L. Kelling’s “broken window theory,” which holds that a building with broken windows invites serious crime because it signals neglect. The song offers a litany of societal ills, with drugs being just one of them."