1. Welcome to Baptist Board, a friendly forum to discuss the Baptist Faith in a friendly surrounding.

    Your voice is missing! You will need to register to get access to all the features that our community has to offer.

    We hope to see you as a part of our community soon and God Bless!

What is music?

Discussion in 'Music Ministry' started by Aaron, Aug 14, 2005.

  1. Travelsong

    Travelsong Guest

    Sure there was a prior. One could have spoken it or spelled it prior to it being given meaning.

    So now I know you were being obtuse.

    You have understood my meaning all along.

    Words do not have inherent meaning, they are given them by men. You just admitted that.

    language is abstract. it stands for or represents that which it points to.

    You honestly should be ashamed of yourself.

    When Jesus spoke of words, he was not speaking of audible sounds or symbols and letters.
     
  2. DHK

    DHK <b>Moderator</b>

    Joined:
    Jul 13, 2000
    Messages:
    37,982
    Likes Received:
    137
    No, there was nothing prior.
    When the Battle of Normandy took place in 1066 the Normans attacked Britain, mainly inhabited by Brits that spoke a Celtic language. It evolved into that which came to be Old English, which had more in common with German than it did in English. The English language was just beginning to come into existence at that time. English is a combination of many languages. It really didn't exist before the 11th century in a form that could rightly be called English.
    DHK
     
  3. tenor

    tenor New Member

    Joined:
    Sep 19, 2005
    Messages:
    369
    Likes Received:
    0
    Actually most aleatoric music has some form of organization. Tim
     
  4. tenor

    tenor New Member

    Joined:
    Sep 19, 2005
    Messages:
    369
    Likes Received:
    0
    Do you see why that kind of "music" isn't really a valid form? </font>[/QUOTE]Ah, It is very valid. Basically "chance music" is a redefining of "what music is" which has been happening since the earliest days.
     
  5. Aaron

    Aaron Member
    Site Supporter

    Joined:
    Sep 4, 2000
    Messages:
    20,253
    Likes Received:
    1,381
    Faith:
    Baptist
    Hey, look! Another definition of music! Even more open than Daniel's, but not as open as Rocko9's.

    Music means different things to different cultures. I find it interesting most of the definitions tend to be from a "western" tradition and also tend to be biased to the likes of the definer.

    Well, actually, our responses to music are not culturally conditioned, so it doesn't mean different things to different cultures.

    Is some music more pleasing to me than others, absolutely! Does this give the right to define music to my likes, absolutely not!

    No one is saying that. Music must be defined by God's standards of decency.

    As to "Biblical" basis - the soothing of Saul by David's playing - the style was probably very simple, monophonic and in a ancient Eastern mode, so not at all like what we call music today.

    Folks were engineering musical instruments since Jubal, the seventh from Adam. I doubt very seriously the wide variety of instruments used in the Levitical choirs and orchestras instituted by David were so that they could all sing and play the same note at the same time with no depth, ornamentation or harmony.

    Can music change mood? Yes? Look at restaurants and stores and how they change the tempo of the music at certain times of day.

    Music in its self is amoral - there is no "good" or "evil" music.


    Music changes moods without the use of words. It has an innate meaning, and is thereby a moral act.
     
  6. Travelsong

    Travelsong Guest

    No, there was nothing prior.
    When the Battle of Normandy took place in 1066 the Normans attacked Britain, mainly inhabited by Brits that spoke a Celtic language. It evolved into that which came to be Old English, which had more in common with German than it did in English. The English language was just beginning to come into existence at that time. English is a combination of many languages. It really didn't exist before the 11th century in a form that could rightly be called English.
    DHK
    </font>[/QUOTE]Yet every sound and every construct of the English language as it exists today has always been able to be uttered. That is the point. Men have even made up a language called Klingon. They devised and constructed the whole thing from scratch. None of the sounds or symbols that comprise a language can be evil in and of themselves. Only the meaning that we assign to them can, and that is ultimately the reality that puts the final nail in your thinking.

    Language is a symbolic means of communication, period. It doesn't have the ability to be evil.

    So go ahead and play your semantics.You are fooling no one.
     
  7. Travelsong

    Travelsong Guest

    See now, here's where I can't be sure you're so right. On one hand I agree that there are some basic principles which determine the general mood of music, yet at the same time I don't think people's responses to it are as universally standardized as you'd like them to be. People do in fact have different reactions to the same pieces of music.

    You remember that track from Sigur Ros you downloaded and listend to a while back? You will find a whole range of opinions from their fans. Some think they're uplifting, others find them depressing or tragic. Some find them romantic.

    Here's one reviewer's take:

    Children will be conceived, wrists will be slashed, scars will be healed, and tears will be wrenched by this group.


    Exactly what kind of innate meaning can music contain?
     
  8. tenor

    tenor New Member

    Joined:
    Sep 19, 2005
    Messages:
    369
    Likes Received:
    0
     
  9. DHK

    DHK <b>Moderator</b>

    Joined:
    Jul 13, 2000
    Messages:
    37,982
    Likes Received:
    137
    Once you assign the meaning to the words, they become evil or good, depending on the meaning of the words.
    Parents teach their children not to use four letter words. Why? They are inherently evil.
    The Bible says not to use corrupt communication--again inherently evil speech.
    Jesus speaks of idle words, in fact he say that words have the very ability to condemn you in the judgement day. Why? Because of their evil use.

    Once a meaning is assigned the words become evil or good according to the meaning assigned.
    As I said previously you cannot divorce the message from the language. You cannot divorce the message of the heart from the medium through which it is expressed. It is an impossibility. Jesus said it is impossible. "Out of the heart proceeds..."
    I would rather go to with Jesus words than yours.
    DHK
     
  10. Eric B

    Eric B Active Member
    Site Supporter

    Joined:
    May 26, 2001
    Messages:
    4,838
    Likes Received:
    5
    Better put, it was their spiritual condition that rendered the music offensive.
    Funny, how the article goes from that stright into beat accents, as if it is mentioned in the text as defining that music! Then, once again, it is assume that only "rock" is from the world, as if classical isn't, as well. But then I thought it was the nature (structure) of the music, rather than who uses it? Whatever argument we can conjure up. This is more than just "prooftexting"; it is reading stuff in there out of nowhere.
    Well written, alright, but just proven to be "the sleight of men, cunning craftiness" (Eph.4:14)
    People like this need to beware that THEIR motives don't make their music, as plain or "solemn" as to may be with clear words of praise, and odd accent beats and all, offensive to God.
     
  11. PamelaK

    PamelaK New Member

    Joined:
    Feb 6, 2005
    Messages:
    3,504
    Likes Received:
    0
    Originally posted by Eric:
    This is more than just "prooftexting"; it is reading stuff in there out of nowhere.
    Well written, alright, but just proven to be "the sleight of men, cunning craftiness" (Eph.4:14)

    Thanks for your input also, Eric. As I told Tim, I'll take all these comments with me when I go back to the article more in depth.
     
  12. Travelsong

    Travelsong Guest

    That doesn't make sense. Look at it this way:

    If I said "I'm going to 'Fing' Austria", what would be your reaction? You would of course try to find out exactly how I meant it. On one hand I may mean it as a frivilous vulgarity, on the other I may be speaking of the town. In either case, the difference in meaning is determined by what? The heart. The intent. The will. Not the actual word.

    How about sign language? What is intrinsically sinful about an extended middle finger? Nothing. The only reason we find it offensive is because we know it is used to express hate or disrespect. If someone flashes you the middle finger you don't say "Hey, that middle finger is evil!" The very idea makes no sense. The reason you will be offended is because you know their intent is to cause you injury. The middle finger was just the medium of communication they chose to express it. All sin goes right to the heart always.
     
  13. DHK

    DHK <b>Moderator</b>

    Joined:
    Jul 13, 2000
    Messages:
    37,982
    Likes Received:
    137
    That doesn't make sense.</font>[/QUOTE]It makes perfect sense. It is exactly what Christ teaches in Mat.12. Why don't you want to accept Biblical teaching?
    If you told me that you were going to Hell, Michigan, do you think I would understand you. Of course I would. And if you are the one to make either dumb jokes or vulgar and dirty ones, then based on the meanings of words, then you have a problem. Whether it is Michigan or Austria, it you sincerely say that you are going there, I will believe you. What's the problem? If you say that you are going to Austria in anger, it will appear in the tone of your voice. Context is everything. People are not stupid. Perhaps you need to study hermeneutics as well as psychology and cultural anthropology.

    Sin has its vehicle and cannot be divorced from it. Sin emanates from the heart through:
    either language (i.e. (vile language)
    the vehicle of the members of the body: murder--the hands and feet
    the sin of stealing--hands and feet;
    the sin of adultery---
    etc.

    The tongue is commonly used as a vehicle for the sins of the heart, but it is not the only vehicle for sin. However language can be used as a vehicle for sin, and when it is, it cannot be separated from the sins of the heart. The actual sin of the heart cannot be separated from the sin.

    When murder happens, a knife is used to commit murder. The hand holds the knife. The sin was committed in the heart. You not only want to divorce the knife but the arm as well, from the sin of the heart. That is an impossibility.
    If you kill the person by breaking his neck with a choke hold without any weapon but your own strength, what then? Your body is the weapon. You cannot divorce your body from your heart. The message and medium, the sin and the vehicle for the sin are inseparable. This is so obvious it cannot be denied, and yet you continue to do so.
    DHK
     
  14. tenor

    tenor New Member

    Joined:
    Sep 19, 2005
    Messages:
    369
    Likes Received:
    0
    Speaking of sign language and other non-verbal communication, a gesture or practice can be offensive to one culture and either neutral or complimentary in another. (Cultural context) For example, most Arabs do not eat with left hand. Why? That is the hand used for "hygene." to them the left hand is "unclean" and unusable for eating.

    Just a thought.
     
  15. Aaron

    Aaron Member
    Site Supporter

    Joined:
    Sep 4, 2000
    Messages:
    20,253
    Likes Received:
    1,381
    Faith:
    Baptist
    The important point was the universal perception of the relationships, and the fact that all cultures gave these notes names all meaning the same thing, i.e., dominant, sub-dominant & keynote/tonic. The kicker is that these relationships were perceived and the names were coined by people "without accoustical knowledge." That means they didn't have to have the learning of Pythagoras to discern it, or even utilize it.

    Music is something that is discovered, not invented.

    Don't forget that is not the only scale in the world. The most primal (simple) scale is the pentatonic, not the major.

    "Primal" is an assumption, but a telling one, and I'll say why in a minute. The pentatonic scale exists on our 20th-Century keyboards. They're the black keys, and music which can be universally recognized as happy or sad, solemn or dithyrambic can still be played in the pentatonic scale. (How many of you as kids learned a portion of the Tennesee Waltz using your fist and thumb on the black keys?) I'm not saying that we can't become accustomed to certain things, but our responses to music are not culturally conditioned.

    But it is assumed to be "primal" 1) because it is limited in the range of emotions it can evoke. No movie producer who wanted to make money would hire a fella to write a score in the pentatonic scale. And 2) it's common in ancient cultures. Why the third and the seventh notes were dropped out of the official scales (or never included in the first place) is a matter of conjecture. But the third and seventh notes were still utilized.

    It doesn't matter how you slice it, it still comes out do, re, mi. The thing to keep in mind is the universal recognition of the relationships in the notes of a scale. No one would describe C and D played together as harmonious or pleasant. No one. No healthy person, anyway.

    Also the major scale was a very late development and functional harmony was even later. Functional harmony did not become the norm until the late 17th Century.

    Actually, several archaeological discoveries of the last three decades has caused musicologists to rethink long-held and widely accepted assumptions in music history. The "oldest song in the world," a 3500 year old Ugaritic hymn utilizes harmony and the diatonic, do-re-mi scale.
    So are you saying that since Oriental music does not use the western diatonic scale, that it is evil and inherently flawed?

    No, I'm saying that the human response to music is universal and innate, not culturally conditioned.

    Aaron: No one is saying that [one man's preference is the standard of good music]. Music must be defined by God's standards of decency.

    tenor: How is a "beat" or a "melody" evil without its context? Don't forget the third (the primary basis of our harmony) was considered evil during the Middle Ages.

    Who said anything about beats or intervals? God is the One who said all things--ALL things--must be done decently and in order. The music must be of a demeanor that is seemly in the worship of Almighty God. Music falls under the category of "all things." Therefore, music must be defined by God's standards of decency, which go well beyond verbal expressions.

    Aaron: Folks were engineering musical instruments since Jubal, the seventh from Adam. I doubt very seriously the wide variety of instruments used in the Levitical choirs and orchestras instituted by David were so that they could all sing and play the same note at the same time with no depth, ornamentation or harmony.

    tenor: There you go agiain putting a 2oth Century, western slant on the definition of music.

    Not at all. I'm putting a human slant on it. People were no different 3000 years ago than they are today, and there is nothing new under the sun. The same flowers and spices that smelled sweet to them smell sweet to us, and in 6000 years of human history, poop still stinks. Why would we assume that our responses to music are any different?

    When Saul's attendants sought one who was skilled on the harp, they knew exactly who to go for. Is it reasonable to think that his playing would sound less relaxing to us? Any instrument in the hands of a skilled musician is beautiful. You can't expect us to think that David's skill was akin to that of an elementary school child on a recorder.

    Moderen day Middle Eastern music is monophonic, actually the proper term is heterophonic. Monophony does not negate ornamentation.

    Modern Middle Eastern cultures are ravaged and fragmented. They are a people in bondage to their shallow, superstitious religions. Their music will follow suit. We cannot think that the cultural icons we see there are the apex of millennia of development. Just the opposite, I think. We are seeing them on the downhill side. And that's also what we see in the synagogal traditions. A nation that was ravaged, fragmented, scattered and never raised to the glory it once was. There is no connection between the music of the Levitical choirs, and what we see in the synagogues today.

    When I speak of the music of David, I'm speaking of a music that is borne of a culture that is coming into its prime. Much of the Middle Eastern music is not played for pleasure or relaxation, and for good reason. It's anything but. It's purpose is primarily liturgical. Ancient Israel had music for leisure, Amos 6:5. My point in bringing this up is that there was ample peace and stability in its culture for some to specialize and devote themselves solely to music. There are virtuosos today who can really smoke a violin. There weren't any in all Israel who could play a viol?

    Again, it's the human slant I'm putting on it.

    Anyway the trumpets of the anicient could only play the basic fundamentals due to their technology.

    You mean much like a modern bugle?

    Also, most of the instruments mentioned in the Bible are percussion instruments.

    Perhaps technically. Technically a harp is a percussion instrument. The harpist "strikes" the harp. So, harp, psaltery and lyre are technically percussion instruments, but they're not percussion in the sense that most folks think of percussion intruments like drums and cymbals. There is the trumpet, and not just the ugly-sounding blat from a ram's horn. I mean an engineered pipe. Then there's the viol, which was much like a violin according to Josephus' description. It was played with a bow.

    Let's see, you've got horns of many shapes and sizes, viols, harps, cymbals, drums--well, bless my soul! You've got a whole orchestra! Just think of the music on the high holy days if there were actually some skilled musicians playing those things!

    But you're forgetting the most important instrument. The human voice. You put ten people together and there isn't a scale or harmony that couldn't have been sung, and sung beautifully.

    And we have not notation or recordings of the actual music, just educated guesses.

    Why guess that people didn't know beautiful music when they heard it?

    Personally, I feel the music of the Hebrews probably sounded like that of their neighbors or we would have strcit, specific instructions as there are for other aspects of worship and life.

    I feel just the opposite. I think Hebrew music was unique, and the "Psalm" a uniquely Hebrew form. You're forgetting that Jerusalem was destroyed almost completely by the Babylonian armies, and ravaged constantly by their neighbors till Nehemiah was allowed to rebuild the walls. Who knows what was lost? However, there are those who believe the te-amim in the Masoretic texts of the Old Testament preserves an ancient musical notation.

    If this is true than why are not all people affected the same way? The tone poem, "The Moldau" by Smetana is and example. This was written to illustrate the love of the Bohemians for this river in their country. I see what he is doing mainly because the "story" was told to me before hand. I probably would not draw this conclusion otherwise.

    I'm well familiar with The Moldau. It is simply one of the most beautiful pieces of music ever written. Especially the river theme, althought the night time segement is really impressive too.

    What people will recognize without learning about the Moldau and the different themes Smetana included is that the Czechoslovakian wedding sounds festive, the river theme majestic, nighttime peaceful, and St. John's Rapids tumultuos. And everyone will feel that way despite their cultural backgrounds.

    [ September 22, 2005, 04:11 AM: Message edited by: Aaron ]
     
  16. Aaron

    Aaron Member
    Site Supporter

    Joined:
    Sep 4, 2000
    Messages:
    20,253
    Likes Received:
    1,381
    Faith:
    Baptist
    I still have the MP3 recording on my hard drive. I think the above quote is a perfect description. The piece is passionate. Any strong or passionate emotion is amplified by it. And all the reactions described by those who've really taken it in, are passionate reactions, sex, suicide, healing (requires stripes of some sort on somebody), and weeping.
     
  17. Daniel

    Daniel New Member

    Joined:
    Jun 3, 2001
    Messages:
    809
    Likes Received:
    0
    Now, we have experienced broad, sweeping lessons in geography, music history (western and middle eastern), and the like...would each of the major participants please "draw the net" and share how these lessons relate to our current Christian music scene? Please try to focus your points. As much as is possible by the power of the Holy Spirit, please don't mock others or jab at them in a fleshly manner.

    Thank you in advance. [​IMG]

    Also, if possible, please wait until all of the major participants have posted before resuming the thrashing out process. That would be very helpful to avoid fragmentation.
     
  18. Travelsong

    Travelsong Guest

    You missed the point of my illustration deliberately. I could very well say I am going to "Fing" Austria in a tone of voice that would make it difficult for you to understand my meaning. I could also type it to you across the web which would make it impossible for you to know without further clarification.

    The point is that it is the same exact word or symbol or utterance in either sense. The only evil that can be detected is when we determine the meaning behind it.

    I noticed you also ignored the parallel of sign language. It is of course quite an inconvenience for you isn't it? Is the middle finger evil?

    Now I wish you would stop saying that I disbelieve the Teaching of Scripture. It's quite disrespectful. I believe when Christ speaks of words, He is more specifically speaking of every medium of communication.

    You however are under the superstitious notion that audible utterances can in and of themselves be evil. In reality, it is only the meaning behind utterances and symbols that can be evil.

    [ September 22, 2005, 09:19 AM: Message edited by: Travelsong ]
     
  19. Travelsong

    Travelsong Guest

    So in essence when you are saying that all music affects or elicits the same response in people, you are saying the response is amplified emotion?

    How does this correspond with the assertion that music has innate meaning? If people are having different reactions to it, are they not deriving a different sense of meaning from it as well?
     
  20. Travelsong

    Travelsong Guest

    Haha! I don't think you want my opinion of the current Christian music scene, but since you asked, I'll give it.

    I despise nearly everything I've heard. I think most choruses are almost completely void of meaning and the repetition makes me fight to keep myself from running for the doors. As far as CCM goes, I think most of it is extremely dull and poorly written. I also believe Christian record labels are nothing but businesses who view Christians as a lucrative target market.

    However that's not to say that there isn't or can't be real artistic merit and expression in modern Christian music. I just have yet to hear anything in the last ten years that doesn't sound like it came off a factory conveyer belt.

    Again, this is just my opinion, but then I'm a musical elitist. ;)
     
Loading...