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Origins of Songs

Discussion in 'Music Ministry' started by Joshua Rhodes, Aug 6, 2003.

  1. Dr. Bob

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    Clara Tear Williams was born September 22, 1858, near Painesville Lake, Ohio.

    Williams served as pas­tor of a Wes­ley­an Meth­od­ist church in In­di­ana, Penn­syl­van­ia, not marrying until nearly 40. She be­came a cir­cuit rid­ing preach­er for the Pine Grove circuit, an un­com­mon po­si­tion for a wo­man at the time. She served that circuit five years, preach­ing in the towns of Dix­on­ville, Hills­dale, Rich Hill, and Spruce. She lat­er helped Mary DePew con­duct evan­gel­ism cam­paigns in In­di­ana, Mich­i­gan and Ohio.

    She mar­ried W. Williams in May 1895, and con­tinued to work as an evan­gel­ist. From 1900 to 1920, she and her hus­band co-pas­tored Wes­ley­an church­es in Penn­syl­van­ia and Ohio. She died July 1, 1937, and is buried in Houghton, New York.

    This song was her life story/testimony set to music.

     
  2. Dr. Bob

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    Evening Prayer

    While James Edmeston composed the first 3 stanzas in 1820, stan­zas 4-5 were added by Edward H. Bick­er­steth in 1876. The hymn became a popular song of many as a beautiful evening prayer for God's watchcare through the night.

    No one knew that dur­ing the Box­er out­break in Chi­na, a com­pa­ny of be­lea­guered mis­sion­ar­ies who had ga­thered to­ge­ther one night in great fear lest they should have to suf­fer the fate of so ma­ny who were giv­ing up their lives ra­ther than de­ny their Lord. The fol­low­ing ac­count of the sing­ing is fur­nished by Miss Helen Knox Strain, one of the mis­sion­ar­ies pre­sent that night.

    “The Woman’s Un­ion Mis­sion­ary So­ci­e­ty has a mag­ni­fi­cent work just out­side of the ci­ty of Shang­hai. No harm had come to us up to this time, but ser­i­ous threats and un­plea­sant ru­mors were rife; we dared not so much as put our heads out at night, though for­ty lit­tle sol­dier-men played at keep­ing us safe. Our mis­sion­ar­ies have two cen­ters at that place, and the they meet oft­en for pray­er and con­sult­a­tion. At this par­ti­cu­lar time the ru­mors were so fright­ful, and the threats to burn our homes that ve­ry night so dis­tress­ing, that we had a mem­or­a­ble meet­ing. Sep­a­rat­ed from home and friends, fac­ing death in a far-off land, and full of ten­der­est feel­ing, we lift­ed our hearts in song…

    “Out of the storm each soul, re­new­ing its strength, mount­ed up with wings as ea­gles and found peace in the se­cret of His pre­sence.

    “Our Sav­iour breathed, in ve­ry deed, an ‘even­ing bless­ing’ up­on us, the frag­rance of which re­mains ev­en un­to this day. The last verse of the hymn, ‘Should swift death this night o’er­take us,’ was omit­ted. It seemed too prob­a­ble it might. We want­ed on­ly to think of the safe-keep­ing, and such, thank God, it proved to be.”

     
  3. Dr. Bob

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    Servant of God, Well Done

    In 1770, John Wes­ley composed this hymn on hearing of the death of his contemporary and great preacher, George White­field.

     
  4. Dr. Bob

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    Shelter in the Time of Storm

    Vernon Charles­worth served as co-pas­tor (with New­man Hall) of Sur­rey Cha­pel (1864-69), head­mas­ter of Charles Spur­geon’s Stock­well Or­phan­age (1869-1915), and a Min­is­ter­ing El­der of Spurg­eon’s Me­tro­pol­i­tan Ta­ber­na­cle. He wrote numerous songs beloved by the common working class as well as his charges in the orphanage.

    Ira Sankey wrote: "I found this hymn in a small paper published in London . . and it was said to be a fav­o­rite song of the fish­er­man on the north coast of Eng­land, and they were oft­en heard sing­ing it as they ap­proached their har­bors in the time of storm. As the hymn was set to weird minor tune, I decided to compose one that would be more practical, one that could be more easily sung by the people."

     
  5. Dr. Bob

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    Shepherd of Eager Youth

    Ti­tus Fla­vi­us Cle­mens (known to church historians as Cle­ment of Al­ex­an­dria) composed this hymn about 200 CE. It was trans­lat­ed from Greek to Eng­lish in 1846, but is prob­ab­ly the old­est Christ­ian hymn whose au­thor is known!

     
  6. Dr. Bob

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    Since Jesus Came Into My Heart

    Rufus H. McDaniel, who had been ordained at 19 and served God as pastor in Ohio for many years, wrote these words after the death of his son in 1914. He asked Charles H. Gabriel to write an uplifting melody rather than a mournful dirge, focusing on the JOY in the Lord, not the grief.

     
  7. Dr. Bob

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    Softly and Tenderly

    Will L. Thomp­son was rebuffed in an early attempt to sell his songs to a commercial publisher, so he start­ed his own pub­lish­ing com­pa­ny. He lat­er ex­pand­ed, open­ing a store to sell pi­an­os, or­gans and sheet mu­sic.

    When evan­gel­ist Dwight Moo­dy was on his death­bed, he told Thomp­son:

    "Will, I would ra­ther have writ­ten Soft­ly and Ten­der­ly Je­sus is Call­ing than an­y­thing I have been able to do in my whole life."

    (This hymn was sung in the 1985 Academy Award winning movie, “Trip to Bountiful.”)

     
  8. Dr. Bob

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    The Stranger of Galilee

    Leila Morris was ac­tive in the Meth­od­ist church, camp meet­ings, and song writ­ing, au­thor­ing more than 1,000 Gospel songs. When her eyes be­gan to fail in 1913, her son built a 28-foot black­board with over­sized staff lines, so she could con­tin­ue com­pos­ing. This is one of the songs written in the twilight years of her prolific life.

    Other songs include:
    Bring Your Vessels, Not a Few,
    Can the World See Jesus in You?
    Crown Him
    The Fight Is On
    For a Worldwide Revival
    For the Whole Wide World
    Fully Surrendered
    His Grace Is Sufficient for Me
    Holiness unto the Lord
    I Know God’s Promise is True
    Let Jesus Come into Your Heart
    Nearer, Still Nearer
    Sweeter as the Years Go By
    O Magnify the Lord with Me
    Sanctifying Power
    Sweet Will of God
    There’s Only One Way
    ’Tis Marvelous and Wonderful
    What a Savior Is Mine!
    What if It Were Today?

     
  9. Dr. Bob

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    Tell Mother I'll Be There

    Charles M. Fillmore wrote this song up­on read­ing of the death of the mo­ther of Amer­i­can pre­si­dent Wil­liam Mc­Kinley.

    Mc­Kinley had a spe­cial re­la­tion­ship with his mo­ther, who was ve­ry proud of him; in his youth, she boast­ed he would be­come a Me­thod­ist bi­shop (lit­tle did she know he would go some­what far­ther). When “Mo­ther Mc­Kin­ley” fell ill in the win­ter of 1897, she lived some dis­tance from the cap­i­tal, so the pre­si­dent had a spe­cial tel­e­graph line in­stalled be­tween Wash­ing­ton and her home town. When word fi­nal­ly came of her im­pend­ing death, he quick­ly wired back, “Tell mo­ther I’ll be there!”

    Personal note from Dr. Bob: I started preaching in rescue missions in 1965 and used this every service. All of the drunks and prostitutes that frequented the soup kitchen could relate to the lyrics of “Tell Mo­ther I’ll Be There”. The aisles would be flooded with weeping men and women.

     
  10. Dr. Bob

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    THIS IS MY FATHER'S WORLD

    While a pas­tor in Lock­port, New York, in 1901 Malt­bie D. Bab­cock liked to hike in an ar­ea called “the es­carp­ment,” an an­cient up­thrust ledge near Lock­port. It has a mar­vel­ous view of farms, or­chards, and Lake On­tar­io, about 15 miles dis­tant. It is said those walks in the woods in­spired these lyr­ics. The ti­tle re­calls an ex­press­ion Bab­cock used when start­ing a walk: “I’m go­ing out to see my Fa­ther’s world.”

     
  11. Dr. Bob

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    THROW OUT THE LIFE-LINE

    In 1888, Ed­win S. Uf­ford, 1888 was inspired to pen these words from a life sav­ing drill he ob­served at Point Al­ler­ton, near Bo­ston, Mass­a­chu­setts. He wrote the words and mu­sic short­ly af­ter re­turn­ing home.

     
  12. Dr. Bob

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    TRUST AND OBEY

    The ti­tle ex­press­ion was used in a test­i­mo­ny meet­ing, fol­low­ing an evan­gel­is­tic cru­sade in Brock­ton, Mass­a­chu­setts, by Dwight L. Mo­ody. A young man stood to speak, and it soon be­came clear he knew lit­tle Christ­ian doc­trine. But he fin­ished by say­ing, “I’m not quite sure—but I’m go­ing to trust, and I’m go­ing to obey.” Dan­iel Town­er, who was in the meet­ing, jot­ted down the words, and gave them to John Sam­mis, who de­vel­oped the lyr­ics from them.

     
  13. Joshua Rhodes

    Joshua Rhodes <img src=/jrhodes.jpg>

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    Angels From the Realms of Glory
    1816 A.D.

    Like all Moravians, John Montgomery had a burden for world evangelism. He was the only Moravian pastor in Scotland, but he and his wife felt God's call to be missionaries to the island of Barbados. Tearfully placing their six-year-old son, James, in a Moravian settlement in Bracehill near Ballymena, County Antrim, Ireland, they sailed away. James never saw them again, for they perished in Barbados.

    Left with nothing, James was enrolled in a school in England. When he didn't do well, he was apprenticed by school authorities to a baker. Baking wasn't for James. He ran away and spent his teenage years drifting from pillar to post, writing poetry and trying his hand at one thing or another. He eventually settled down in Sheffield, England.

    In his early twenties, James began working for the local newspaper, the Sheffield Register, and there found his niche. He loved writing. It was a politically active newspaper, and when its owner had to suddenly flee the country to avoid persecution and imprisonment, James purchased the paper and renamed it the Sheffield Iris. His editorials, too, proved unpopular with local officials. On two separate occasions he was thrown into jail. But he emerged from prison a celebrity, and he used his newly acquired fame to promote his favorite issues.

    Chief among them was the gospel. Despite the loss of his parents, James Montgomery remained devoted to Christ and to the Scriptures, and he championed the cause of foreign missions and of the British Bible Society.

    As the years passed, he became the most respected leader in Sheffield, and his writings were eagerly read by its citizens. Early on Christmas Eve, 1816, James, 45, opened his Bible to Luke 2, and was deeply impressed by verse 13. Pondering the story of the heralding angels, he took his pen and started writing. By the end of the day, his new Christmas poem was being read in the pages of his newspaper. It was later set to music and was first sung on Christmas Day, 1821, in a Moravian Church in England: "Angels From the Realms of Glory."

    His parents would have been proud.
     
  14. Joshua Rhodes

    Joshua Rhodes <img src=/jrhodes.jpg>

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    Silent Night
    1818 A.D.

    It was Christmas Eve in the Austrian Alps. At the newly constructed Church of St. Nicholas in Oberndorf, a Tyrol village near Salzburg, Father Joseph Mohr prepared for the midnight service. He was distraught because the church organ was broken, ruining prospects for that evening's carefully planned music. But Father Joseph was about to learn that out problems are God's opportunities, that the Lord causes all things to work together for good to those who love Him. It came to Father Joseph's mind to write a new song, one that could be sung organless. Hastily, he wrote the words, "Silent night, holy night, all is calm, all is bright..." Taking the text to his organist, Franz Gruber, he explained the situation and asked Franz to compose a simple tune.

    That night, December 24, 1818, "Silent Night" was sung for the first time as a duet accompanied by a guitar at the aptly named Church of St. Nicholas in Oberndorf.

    Shortly afterward, as Karl Mauracher came to repair the organ, he heard about the near-disaster on Christmas Eve. Acquiring a copy of the text and tune, he spread it throughout the Alpine region of Austria, referring to it a "Tiroler Volkslied."

    The song came to the attention of the Strasser Family, makers of fine chamois-skin gloves. To drum up business at various fairs and festivals, the four Strasser children would sing in front of their parent's booth. Like the Von Trapp children a century later, they became popular folk singers throughout the Alps.

    When the children - Caroline, Joseph, Andreas, and Amalie - began singing, "Trioler Volkslied" at their performances, audiences were charmed. It seemed perfect for the snow-clad region, and perfect for the Christian heart. "Silent Night" even came to the attention of the king and queen, and the Strasser children were asked to give a royal performance, assuring the carol's fame.

    "Silent Night" was first published for congregational singing in 1838 in the German hymnboook, Katholisches Gesang - und Gebetbuch fur den offenlichen und hauslichen Gottesdienst zunauchst zum Gebrauche der katholischen Gereinden im Konigreiche Sachsen. It was used in America by German-speaking congregations, then appeared in its current English form in a book of Sunday school songs in 1863.

    Were it not for a broken organ, there would never have been a "Silent Night."
     
  15. Bethelassoc

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    What I find interesting about these old songs is the origin of their tunes. Some of the songs (in hymns with notes) use a tune that is roughly 100 years younger than the lyrics.

    It would be interesting to know what tunes were used at the time when some of the songs were written.

    Ex:

    "Guide Me O Thou Great Jehovah" was written around 1745, the tune that I am familiar with, and that the Old Regular Baptists, etc, still use is "Adew Dundee" or "Bonny Dundee", a Scottish ballad tune from around 1620.
     
  16. Joshua Rhodes

    Joshua Rhodes <img src=/jrhodes.jpg>

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    Good King Wenceslas
    1854 A.D.

    This story is about two men - a Bohemian Duke and an Anglican minister - who lived nearly a thousand years apart.

    Wenceslas was bron in Bohemia, in modern Czechoslavakia, in the early 900s. His father, the Czech ruler, Duke Ratislav, gave him a good education supervised by his godly grandmother. When his father died, Wenceslas, seeing his mother mishandle affairs of state, stepped in at age 18, seizing the reins of government. From the beginning, he proved a different sort of king. He sought good relations with surrounding nations, particularly with Germany. He took steps to reform the judicial system, reducing the number of death sentences and the arbitrary power of judges. He encouraged the building of churches and showed heartfelt concern for the poor. He reportedly cut firewood for orphans and widows, often carrying the provisions on his own shoulders through the snow.

    Wenceslas' brief reign ended suddenly. His pagan and rebellious brother, Boleslav, murdered him on September 28, 929, as he left for church. His people venerated him as a martyr, and today Wenceslas is the patron saint of Czechoslovakia.

    He would be hardly remembered, however, but for John Mason Neale, an Anglican minister witha passion for returning church architecture and music to their ancient grandeur. Neale helped establish a committee to investigate and restore dilapidated church buildings in Great Britain. He was particularly upset at the ugly stoves installed to heat churches in Victorian times.

    Disliking the hymns of Isaac Watts, he also sought to return church music to its medieval roots. Neale worked hard to translate ancient Greek, Latin and Syrian hymns into English. In so doing, he gave us the Christmas carols, 'Good Christian Men, Rejoice," (a fourteenth century test set to a fourteenth century tune), and "O Come, O Come Emmanuel," (a ninth century text set to a fifteenth century tune). He also translated the Palm Sunday hymn "All Glory, Laud and Honor."

    Good King Wenceslas is not a translation, but an original poem written by Neale to honor a godly monarch's concern for the poor. Neale himself worked with the needy, serving as a warden of a charitable residence for indigent old men.

    John Neale's antiquated opinions were widely scorned in his own day, but we're still singing his songs.
     
  17. Joshua Rhodes

    Joshua Rhodes <img src=/jrhodes.jpg>

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    What a Friend We Have in Jesus
    1855 A.D.

    Joseph Scriven watched in shock as the body of his fiancee' was pulled from the lake. Their wedding had been planned for the next day. Reeling from the tragedy, he made up his mind to immigrate to America. Packing up his belongings in Dublin, Ireland, he sailed for Canada, leaving his mother behind. He was about 25 years old.

    Ten years later, in 1855, he received word that his mother was facing a crisis. Joseph wrote this poem and sent it to her. Mrs. Scriven evidently gave a copy to a friend who had it published anonymously, and it quickly became a popular hymn, though no one knew who had written it.

    Meanwhile, Joseph fell in love again. But tragedy struck a second time when his bride, Eliza Catherine Roche, contracted tuberculosis and died in 1860 before their wedding could take place.

    To escape his sorrow, Joseph poured himself into ministry, doing charity work for the Plymouth Brethren and preaching among the Baptists. He lived a simple, obscure life in Port Hope, Canada, cutting firewood for widows, giving away his clothes and money to those in need. He was described as "a man of short stature, with iron-gray hair, close-cropped beard, and light blue eyes that sparkled when he talked." Ira Sankey later wrote:

    On October 10, 1896, Joseph became critically ill. In his delirium, he rose from his bed and staggered outdoors where he fell into a small creek and drwoned at age 66. His grave was arranged so that his feet were opposite those of his lost love, Eliza Catherine Roche, that at the resurrection they might arise facing one another.
     
  18. Aaron

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    Jesu, Joy of Man's Desiring

    Words: Martin Janus 1620-1682
    Music: J.S. Bach

    Does anyone know the story behind these lyrics?
     
  19. Aaron

    Aaron Member
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    The music for the above hymn was written by Johann Schop. Bach's arrangement is the one we're used to.
     
  20. Joshua Rhodes

    Joshua Rhodes <img src=/jrhodes.jpg>

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    I'm sorry, Aaron, I don't have the origin for that one in my stuff... I'll try to do some research.
     
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