So begins Peter Masters in his book, Worship in the Melting Pot (Wakeman, London. 2002). Masters is not a musician, he is a theologian, and he aptly described how the "new worship," CCM, is in violation of the four great principles of worship: spirituality, truth, holiness and reverence. He likened the new worship to medieval Catholicism which perverted the first three principles of worship in their practices, and added a fourth indictment to today's worship.Worship is truly in the melting pot. A new style of praise has swept into evangelical life, shaking to the foundations traditional concepts and attitudes. The style of worship followed throughout the entire history of Bible-believing churches has been shunted on to the sidelines — and why not? Young friends are asking — 'What's the matter with contemporary music groups? Isn't there every kind of instrument, including percussion, in the Psalms? Didnt' they dance in worship in Bible times? Isn't God the same yesterday, today and for ever? Why should we be tied to gloomy Victorian culture in our praise to god?'
The aim of this book is to answer such questions, and also to focus on the four great pillars of worship — the principles which the Bible insists on.
The chapters of special interest are 6, 11 and 12. Chapter 6 is an indepth look at the use of instruments in the Temple and the Book of Psalms. ". . . but is it true that God allowed full instrumental worship in the Jewish church? Is it true, for example, that timbrels played by dancing maidens, led the worship? Is it true that the Jews regularly worshipped with percussion instruments and brass, generating powerful rhythmic music? A brief look at the data will show that this idea is a thousand miles wide of the mark."There is a fourth basic pinciple of worship which we have detached from the three just reviewed, because this fourth did not need to be entirely rediscovered at the Reformation. Despite the widespread insincerity of the priests of the Roman Church, there was generally a realisation that awe and reverence was due to the Almighty God. Professing Christianity has waited until now before deciding that reverence is optional.
Chapters 11 and 12 are a look at hymns, their authors, their structure, subject matter and style.
This book is a must read for all those who believe that fundamental issues are at stake where CCM is being accepted.The song writers and chours writers of the new-style worship are not to be compared with such great writers of traditional hymns. It is not just that they write in a different idiom. There is an unbridgeable gulf no matter how their compositions are assessed. Theologically they are usually painfully insubstantial. Intellectually they frequently fall far short of adequate and worthy expression of praise. Emotionally they mostly stir the senses not the soul, using rhythm and repetition rather than spiritual truth. Poetically, they range from amateurish to inept. To combine the new-style with the old, will undoubtedly, over time, un-educate the people of God and greatly lower the intelligence-level and doctrinal content of praise.
(Dr. Peter Masters has been Minister of the world-famous Metropolitan Tabernacle (Spurgeon's) in central London since 1970.)
Chapters
1. Worship in the Melting Pot
2. Three Broken Principles: I - Spiritual or Aesthetic Worship?
3. II - Rational or Ecstatic Worship?
4. III - Sacred or Profane Worship?
5. Let the Lord Define Worship
6. Brass, Strings and Percussion?
7. Services of Worship in the Bible
8. What Really Happened at Corinth?
9. Whay Raise Hands?
10. When Hymns were Born
11. Seven Standards for Worthy Hymns
12. A Gift Most Rare
13. Reverence Begins in the Place of Worship
14. Three Battles for the Soul in Evangelicalism